'Advanced' Testimonials Teenager Testimonials Repeat Students | |
Do you want to learn good photographic techniques in north
san diego county, Carmel or Yosemite? Well, Seewald's San Diego digital photography classes for 35mm, medium and large format photography
classes are also for Orange County students. Poto workshops, field photographic workshops and photo classes are fun to take. Photographia, also known as arte in Del Mar, photographic art, limited editon art, photos, amateur, intermediate and
advanced folks! Even Ansel Adams and Edward Weston could have used Seewald's art class
Michael Seewald's
Photographic Art Classes
Seewald's workshops...the
difference over others?
You aren't just driven around to pretty
sites,
you are taught how to see, think and
create, like a master, from a master.
______________________
Beginner and intermediate
level testimonial page.
_______________________________________
"...The sign of a true master is that he makes the path
very simple. When the student is struggling he knows exactly when to let
them struggle (only to discover something on their own) and when to
intervene (and show them something new that they have not noticed). Michael
is a true master of the art in this sense. He knows how far to push people
to think on their own and when to provide that masterly intervention. ..."
Vivek Gulati, beginner level photographer,
San Diego, California
Class of 1.6-7.'07
Go back to
main photography class page.
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"I took this class with hopes of
truly understanding how to take good pictures on purpose and to finally
answer my questions of correct f-stop and shutter speed combinations. This
workshop answered all my questions, and more. I learned some basics of
photography along with some "tricks of the trade" that will definitely come
in handy. If you are looking to perfect your skills or simply start at the
beginning, this workshop will definitely get you going in the right
direction.
... I even learned a very important part of my camera that I had no idea was
there!
...Michael explained concepts
well and always gave examples of what he was talking about. It made things
just that much easier to understand. For instance, I was having trouble
understanding "fill flash", but he explained it very well by making me
practice a few shots that covered that concept. ..."
Rosy Rodriguez,
intermediate photographer,
Monterey California
Carmel class of 8.11.2011
______________________________
"...A mind blowing experience. A
whole new way of thinking and seeing; not just about photography but also
the world. I now feel comfortable and confident with my digital camera and
I'm beginning to see the world in a different light.
I am excited about moving on with my photography; my friends and family hear
it in my voice and have given me great feedback (including some wows) on the
photos I showed them from the afternoon of Day 3; What I have learned
will last me a lifetime. Thank you again Michael!!"
Joe Aglio,
San Diego class of 10.1-3.2010
Ramona, CA
IF you are really contemplating a Seewald fun-shop, you MUST check out this
in depth critique from Joe Aglio.**************************************************************
How satisfied were you with the attention to you personally
on day one,
classroom? 1-10 scale:
10 - Very
satisfied- handled all my
questions
How satisfied were you with the attention given to you personally
on day two
& 3, in the field?:
10 - Very
satisfied- handled all my questions
You found the length of the Day one class to be...:
Just right
You found the length of the Day Two class to be...
Just right
You found the length of the Day Three class to be...
Just right
value_for_the_money:
Way
more value than what I paid
How was the class for you, overall, at helping you become a better
photographer?
10 - Very helpful
How satisfied, overall, were you with the entire class?
10 - Very satisfied
If you had to put a 'value for the money' figure for the Fun-shop, what
amount would it be?
$1K-
$1,500
May we please
quote you?
YES
name:
Joe
Aglio
How_was_michael_as_an_instructor_overall_EXPLAIN_concepts:
The instruction
was
spot on; there were plenty of opportunities to ask questions and absorb the
info;
Michael
was very patient which is difficult to do when teaching.
How was
Michael's teaching style? Too much joking around? Not enough for
a
'fun-shop'? Explain.:
His
teaching style was appropriate for the intensity of the info; the moments of
levity were chances for our brain's to "take a holiday" and refresh for more
content.
How tough, yet respectful, was
Michael on critiquing your art on day one?: Very tough and rightly
so; but not disrespectful; I had no problem with
Michael's
approach.
How tough, yet respectful, was
Michael on critiquing your art on day two: Always instructive; I was
told "not good enough" on several occasions and rightly so; when what I did
was correct and/or I created something worthwhile,
Michael gave
praise and encouragement.
How would you convey your whole class experience to a friend in one or two
paragraphs? What benefits did you get from it?:
A mind
blowing experience. A whole new way of thinking and seeing; not just about
photography but also the world. I now feel comfortable and confident
with my digital camera and I'm beginning to see the world in a different
light.
I am excited about moving on with my photography; my friends and family hear
it in my voice and have given me great feedback (including some wows) on the
photos I showed them from the afternoon of Day 3; What I have learned will
last me a lifetime. Thank you again
Michael!!
What info, if
any, should have been added to the day one or two info pages on the website
that was lacking?
:
Can't
think of any
What info was there but needed improving?
Can't think of any
Was the class
info on compositional elements taught in such a manner that it was easy to
comprehend for your skill level on Day ONE? :
Absolutely
Anything you
would have done differently for Day ONE?
Nothing
How well was the technical info taught
in the field, and was it made easy for you to understand? What benefits did
you get from the day?:
At
last I was able to work my way around my digital camera; Michael's
explanation and simplification of all the intricacies of the camera was
extremely beneficial to me.
What would you
have done differently for the field work, if anything? Were you challenged
enough for your skill level?
Yes I was challenged enough
Day III, do you think it was a good
decision to have a third day to learn, or did you get all there
was to learn in the two days?
Without Day 3, I would have been nowhere.
By the afternoon all the concepts of the weekend began to gel for me and I
began to have "aha" moments. I made photos that I am proud of that
afternoon
If there was a museum and/or gallery tour, did you appreciate it? Why or why
not?
Yes; seeing other work with the new "critical eye" that I had been taught
was very instructive; a most worthwhile experience
If you recently changed to using the ball head style tripod, per
Michael's
suggestion, how did you like it? Was it a good decision?
Great idea; hard now to imagine not having it
Any other
questions we should have asked about on this form to get a better idea of
how we are doing?
Keep up the great work; it is a gift to be able to teach; never stop
Any last minute
thoughts or comments?
See
you in the Portrait class
______________________________
2.20.'11
“Hi future grads, the above critique was made by
Joe Aglio, one man
so filled with life he gave off energy just being around him, love those
types. I’m sorry to say, Joe won’t be taking the portrait class he was
looking forward to taking this March as he passed away just two days before
Christmas.
He was really getting into photography, he said, because he needed to find a hobby
to help slow him down, he’d told me he’d had heart problems recently. It
was nice of him to fill out the critique form in it’s entirety, as you see
there are quite a few questions, and not all students find time to do so.
But by getting hundreds of these over the years, due to great students like
Joe, I’m able to
fine tune these classes to the extent I can get these kind
of grades. Of course, not everyone give such high praise across the board,
and nobody is perfect, but I want to be as perfect as I can get. That's my
goal.
Rest in peace
Joe, it was a true
blessing sharing three days of my life with yours.”
Michael
PS All future portrait classes will be held in
Joe’s honor, he
will be there in spirit.
______________________________

Click image to enlarge.
Copyright Jenny Price.
Class of 7.30-8.1.'10
Some of Michael's newest grads surround him at the Oceanside Mission-
Megan K., Linda S., Karon E. and Jenny P.
"I received immense benefits from this class.
... After three days, I was amazed at how much I learned. Just being able to
shoot manual now and not even wanting to go the easy way out and shoot auto,
is a HUGE accomplishment!
Michael exposed me to so many concepts and
techniques.
A book would never have
accomplished this because 'hands on' is the best approach. "
Karon Edleson.
Class of 7.30-8.1.'10
______________________________
"...I now feel comfortable
operating my camera on manual. It will take much more practice to make
beautiful art but Michael gave each of us the encouragement and confidence
we need to keep working at it.
...Michael is a great instructor who is also a great inspiration. He never
gave up on any of us.
...I look forward to the next class and periodic classes in the years to
come."
Robin Dier, beginner, Capistrano Beach CA
S.D. 3 day class of 4.30-5.2.'09
______________________________
“...I
actually got more from Michael's class than I'd expected. It took the "fear"
of not getting the camera settings out of me. I am now excited to go out and
try different apertures and shutter speeds.
Driving home after day 2 I found myself looking at things out the window and
thinking about things that I was not conscious of related to photography
prior to the class. It left me with a feeling of excitement about putting
these concepts into action. ..”
Jenny Butterfass, beginner photographer, Carlsbad, Ca.,
San Diego class of 2.14-15.’09
______________________________
"...I
learned more in 3 days than I had in several school classes ... The
class was fun not dreary! I would definitely recommend it. MAGIC revealed.
..."
Tamara Ames, beginner, San Diego, CA.,
Yosemite class of 3.20-23.'09
________________________________
Inserted photos around
this testimonial by Phyllis Spoor, all rights reserved.
"Fantastic-the best workshop I
have ever taken. A serious photographer can not afford to miss it. Very
enlightening. Besides the instructor I made great new friends to share
photography with that I can share what I know and learn from their
experiences.

Click photo to enlarge.
Mission San Luis Rey, Oceanside
It forced me to dedicate time to leaning to use my camera and shoot manually
with a understanding of what was happening. It re-enforced the components of
art composition and how to in-corporate them into my photography.

Click photo to enlarge.
Fountain, Mission San Luis Rey, Oceanside
...I learned not only how my
camera functioned but what the effect of the different settings would
accomplish- thru trial and error and on-the-spot assignments, with helpful
guidance.
...Day III helped cement how of
the new material/capabilities that I was exposed to. Without it I would have
been lost trying to apply a lot of what was covered on day 1 and 2.

Click photo to enlarge.
Red White and Blue
Antique Gas & Steam Engine Museum, Vista, CA
...I replaced a larger heaver
tripod with the one Michael recommended. I had
never worked much with one. I find the ball head style to be very user
friendly and a great
tool. It allowed me to get some pictures I could not have gotten
otherwise."
Phyllis Spoor,
intermediate, San Diego, CA.,
S.D. 3 day class of 4.30-5.2.'10
______________________________
“...For me the best part was learning
everything. The composition concepts of photography were very
important- it gave a totally different perspective of photography. ... The
technical parts just added to the first day making the experience complete.
...Michael created a very welcome, warm, simple, and relaxed environment. I
felt very comfortable in the class, and learned so much without felling
overwhelmed. It was a class worth every single penny.... just loved it.
Thank you for your hard work and effort. Keep sharing your Gift with the
world.
...
...Thank you
Michael, I'll come back for more classes :) ”
Olivia
Bates, beginner photographer,
San Diego class of 2.14-15.’09
San Antonio, Texas (Via Portugal)
_______________________________________
“... one of my favorite quotes: Someone once said, "Kindness without honesty
is sentimentality, and honesty without kindness is cruelty". Michael was
kind AND honest when critiquing our photographs ...”
Don Haake, intermediate photographer,
Carlsbad, CA,
San Diego class of 2.14-15.’09
_______________________________________
“...I was really surprised how easy Michael made us all learn the very
complex topics of photography. I still might make mistakes here and there, but I am no longer shooting in the dark. I am no longer trying to
make a stab at it, just hoping that I got the calculations right. So, even
if I take a crummy picture, I will know how to fix it faster. Thus, making
me a more efficient photographer. ...
... I really enjoyed learning how to really apply what we learned on Day I
out in the field on Day II. It was like we still had training wheels on,
and it was ok to make mistakes. ...”
Amy Rosengarten,
beginner photographer, San
Diego, CA
San Diego class of 2.14-15.’09
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"...If you are new to photography and
you want to learn it all "correctly" the first time, I highly encourage you
to take the class. If you already have the technical knowledge but feel like
you need a fresh perspective (no pun intended) on photography, then please,
go ahead and sign up.
Michael is not just a photographer, he is an artist
and a perfectionist. He will teach you how to "walk"... what you do from
there is up to you. ..."
Mauricio Rubiales, beginner level photographer,
San Diego, California.
Class of 3.29-30.'08 |
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(Advanced photography students click here.)

Photo courtesy Mr. Kay Cheng, © 2.11.'07.
Karen Bales is presented her 'Certificate of
Achievement' by instructor Michael Seewald
"I didn't have any understanding
of how to use my SLR on manual; nor understanding of f/stops, aperture, shutter
speeds, histograms, light meters nor what to look for in getting a good
tripod. I walked away from the workshop very very satisfied because now I
do!! I am the brains behind my camera now, not visa-versa. Even advanced
photographers who were in my group gained from the workshop."
Karen Bales, beginner level photographer,
Class of 2.10-11.'07
Oceanside, California |
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Photo copyright Kimberly Rizzo
Class of 2.25-26.'06
How much do amateurs learn?
The above image was made by
Kimberly Rizzo in 'self timer mode' combined with
Seewald's long time exposure 'ghosting effect style', both of which she had just
learned that day.
ALL exposure necessities were made on manual
settings, figured out all by herself with her in-camera light meter,
which she did not know she even had, nor even how to use it even if she had!
This after just one day of
Seewald's tutelage on the technical aspect's of 'how to use the camera'
(which takes place on the 'Day II' part of the two day class)!!!
This 'ghosting effect' is an advanced procedure taught and learned by all at the end of the
second day of class.
_______________________________________
"...Michael is a great
teacher, he has so much personality and love for what he dose. He kept my
attention the whole time. He is vary easy to learn from and understand.. I
learned more from him in two days than I did with a year of college photo classes.
Just in the first
5 minutes (of Michael's instruction) I was looking at my camera differently. I had learned just how
powerful my camera was, and I am enjoying it more!..."
Kimberly Rizzo,
intermediate level photographer,
Anaheim CA
Class of 2.25-26.'06
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“For two days, this
exciting fun-shop turned my digital camera into an artist's tool. I learned
the difference between taking a picture and creating art. The discussion
and hands-on lessons about compositional elements will make my photos much
stronger. Sure you may trip up along the way, heck you might even get
frustrated during this class, but by taking this two-day seminar Michael
will open up a whole new world of photographic possibilities. If just a few
peas stick you'll be rewarded for the experience.”
Troy Garrow,
San Diego, Ca.
Class of 1.20-21.’07

Click to enlarge.
Photo copyright Rod Wesley,
crouching bottom right.
Class of 1.20.’07 in
Balboa Park, San Diego.
Troy Garrow is standing up behind a crouching Michael.
We just rec’d the
following letter and photo from
Troy on 3.2.'07 and he gave us permission to post it:
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Michael,
Telling you that your
class inspired me would be an understatement. I just got back from my
trip to Kauai a couple of weeks ago with my post Seewald Fun-shop
photographs. Living in manual mode and getting creative with aperture
and shutter settings was a blast! Mentally thinking about the “rule of
thirds” before pressing that shutter was a hoot too! My tripod became a
trusted, ball-headed friend. My wife thought I was out of my mind
sometimes. That’s where I need to fill you in on a little story.

My
wife and I were driving on the north Shore of Kauai one afternoon and we
stopped by the Kilauea Lighthouse. I pulled out my camera and tripod to
take a photo. The sky was clear, the mid-afternoon sun was bright and
there was a big crowd of people huddled around the lighthouse. I turned
to my wife and
said this shot isn’t even worth it so I put my camera
gear away. We started walking back to the car and I noticed that the
operating hours were from 10:00 to 4:00. I thought if I got there
before 10:00 the crowd of folks wouldn’t be messing up my shot. I also
thought that with the lighthouse facing North/East it would be great
light to catch it at sunrise. I looked at my wife and said, “The money
shot is to take this picture at sunrise.” So with the weather
cooperating on February 14th, I left the hotel at 6:00 am
(now you can see why my wife thought I was crazy) and drove 50-minutes
to the lighthouse viewing area. I captured this image with an f/22
aperture and 2-second shutter speed. I played with it in Photoshop a
bit, cropped it, and this is the end-product.
I’d love to enter it into the fair. What’s your impression?
Photo copyright Troy
Garrow,
Class of 1.20-21.'07
"Wow Troy, great job, you
are on your way buddy. Thanks for the kind words and letting me
publish them, along with your award winning image. Now I hope your
wife no longer thinks you're Looney-tunes." MS |
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"Oh my goodness! I
knew I had a lot to learn but I never imagined I could learn so much in just
two days!
I took away so much knowledge and hands on experience from this
workshop. I was somewhat nervous about my beginning skill-level but
Michael's ability to teach while exercising his natural tendency to turn
everything into a joke was great!! I was at ease in no time.
It was a true
honor to be taught by someone with Michael's talent and experience. It is
obvious that he truly enjoys sharing his God-given talent with others."
Becki Smith, San Diego, California.
Beginner level photographer,
Class of 11.25/26.'06
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Another 'by the numbers' (from the critique form, direct).
personal_attention: 10 - Very satisfied- handled all my questions
class_materials: Well informed,
read the pre-class info page
How_helpful_was_class: 10 - Very helpful
How_satisfied: 10 - Very satisfied
value_for_the_money: Way more value
than what I paid
name: John Cary
how_tough_respectful_day_one: Polite but very effective.
how_tough_respectful_day_TWO: Polite, direct and effective
short_paragraph_of_how_it_was:
The was a highly effective, creatively stimulating, totally enjoyable and
affordably priced instructional session. Michael is an accomplished
artist, a superb photographer and he is
unique in his ability to pass on key concepts in a short period of time.
It is hard to describe how much more confident I feel with my camera and
how much improved my results are.
John Cary, San Diego, Calif.,
Class of 7.29.'06
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value_for_the_money:
Quite a bit more than paid.
"I would recommend this
class to anyone- in fact I already have. I am excited about getting out
there and making art. I am ready to read my photography books, now I might
understand what they are talking about! Day two was exciting for me because
after 8 years of shooting with a slr, I know what shutter speed and an
f-stop finally is and how they affect your photos. I have only taken this
one class ever and I feel I have invested my money wisely. I came home and
began to read my camera's manual again, but now I am starting to comprehend
what it is saying. ...
(The fieldwork) was where it all
came together. I was thrilled when I finally, for the first time, shot in
manual and it turned out!!!
...(per Michael's suggestion) I really do like the ease of the tripod with the ball
head; I did purchase it and was thankful for it."
Melissa Bence, Vista, California
Beginner level photographer,
Class of 9.22-23.'06
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"The way it
was presented made me think about what I needed to do to make great photos -
not just regurgitate a formula....Respectful and honest. Though at times
frustrating, appreciated the honesty and suggestions that made me think more
about what I was doing...Day two, hands on fieldwork- very well taught. Easy
to understand. Enjoyed hearing Michael talk about light as we walked around
between assignments.... Persistence and
practice with critical review is the only way to get better."
personal_attention: 10 - Very satisfied-
handled all my questions
How_helpful_was_class: 10 - Very helpful
How_satisfied: 10 - Very satisfied
value_for_the_money: Quite a bit more
name: Ted Rahn
"The class was a real eye
opener for me. I had never before thought critically about what I was about
to shoot. With Michael's help I now look at scenes differently and know that
my ratio of OK to really good photos will improve dramatically."
Ted Rahn, intermediate
level photographer,
San Diego,
California.
Class of 11.25-26.'06
11.'10 - We were very
sorry to hear of Ted's recent passing from cancer, He was a very gifted and
inspired photographer, it was a pleasure to have had Ted as a student, and
then a friend. He will be missed by all that knew him. MS. |
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We have had more and more teenagers sign up
recently. Do you have one that wants to learn about art and photography?
Kayli, a 16 year old intermediate photographer that loves shooting bands
already, had this to say on the critique form:
personal_attention:
10 - Very satisfied- handled all my questions
class_materials: Well informed, read the pre-class info page
How_helpful_was_class:
10 - Very helpful
How_satisfied: 10 - Very satisfied
value_for_money:
About right (especially since she did not have to pay
;/).
quote_me: ON
name: Kayli VerSteeg
How_was_michael_as_an_instructor:
He was extremely patient with me
and all the other students. He would repeat concepts we found difficult in a
number of ways until we all understood it.
How_was_Michaels_teaching_style:
I liked the balance of fun and teaching. I think he has it pretty well
mastered.
ForEveryon_how_tough_respectful_day1_critiquing:
He was just as tough
as necessary and helped me compose solid pictures
ForEveryon_how_tough_respectful_day2_critiquing:
He was extremely
helpful and would share his opinions but still make us compose the pictures
on our own.
short_paragraph_of_how_it_was: ...
It covered everything from how to manipulate the camera the way you need to,
to how to compose solid award winning photographs and even how to edit your
previous pictures to be winners. I really enjoyed the class and highly
recommend it to anyone interested in photography.
Kayli VerSteeg, age 16, of
La Jolla, Calif.,
Class of 5.3-4.'08
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"Michael's
class was a very exciting experience for me. I knew the concepts of
photography (mostly technical) but have not been at all successful in
applying them when I'm out and about taking pictures. I had no eye for
composition and knew that was my biggest downfall in getting the pictures I
so desperately wanted. The two days with Michael were literally "eye
opening" and worked together so beautifully. Between the morning of day 2
and the afternoon of day 2 some remarkable things happened for me and it
felt like my mind opened up and my soul smiled. I saw, I understood and
I achieved knowledge and results that I've been struggling to obtain for a
year. Michael helped me begin a journey of passion that I have wanted
for so long and now I have the tools to spend a lifetime perfecting. Thank
you Michael...."
Laura Gabel, intermediate
level photographer,
San Diego,
California.
Class of 7.14-15.'07 |
|

Photo © Aimee Werth, class participant (good job Aimee).
Karen Maynor receives her Certificate
of Achievement at Spanish Village in
Balboa Park, San Diego California.
personal_attention: 10 - Very satisfied- handled all my questions.
Day 1: Michael was professional in his critiquing of the photos. Really took
the time to look at everyone's art and gave valuable pointers to use when
making and cropping photographs.
personal_attention_day_2: 10 - Very satisfied- handled all my questions.
Day 2: Michael was both diplomatic and constructive in his critiquing. ...I
found the assignments made me think and look differently before I
photographed my subjects.
"The info that Michael covered on Day One got you thinking when he gave
you assignments on Day Two....This class provided the right amount of
information and instruction that I needed in order to perfect my
photography...."
Karen Maynor, intermediate level photographer,
Oceanside, California
Class of 11.25-26.'06
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6.11.'06
"Michael, I am just writing to thank you again for all I
learned in the class (March 2006). I resubmitted two pictures (per
your suggestions w/ new cropping and adjustments) to the 2006 San Diego
Fair's 'International Photography Competition', that did not
get accepted in 2005. Both of them were accepted to show this time and one (the frog - attached)
received First
Place!
...I'll have to take another one of your classes - maybe Monterey some day."
Eric Bischoff
Seewald notes: "How do you compare one photo to the next, is there a
objective way? "Kinda", Michael states, "I use the San Diego
Fair's International Photography Competition for comparison. Folks that
enter have about a one in three chance of getting their photo accepted and
shown. Three judges critique each piece with a certain amount of
points given for each image; composition, technical and overall effect.
"

Click to enlarge.
Photo © Eric Bischoff, 2006
Eric Bischoff's first place image,
2006 International Competition San Diego Fair.
"There are many categories one can enter", Michael
continues, "and getting a first
place is just about impossible as there are hundreds of entries in each
category,
with lots of good photographers entering from around the globe- Russia,
Italy, New York, So. America, you name it."
Note: Michael does not enter often but in 1996 not only did he take 'First Place' in one of the
categories but also had all 10 entries get accepted and then took 'Best of Show'
to boot, a semi-impossible feat considering there were over 3,500 world-wide
entries submitted!
"I
critique each piece brought to class as if it were going to be entered into
the fair. How would it do? Get accepted? Get a ribbon? Etc.. If
not, I show how can we make it better through cropping and strengthening it
in various ways with my perfectionist know-how (As Monk the TV character
would say, "It's a blessing... and a curse!"). I share all this during the course
of the class, to help improve it's chances, and to teach while doing so.
This is what I did with Eric's piece, guiding him in how to improve it and
suggesting a re-submittal of the piece which was not considered good enough
to 'hang' last year.
Congrats Eric on a job well done" MS.
|
"I went
merely to support my wife's blossoming photo hobby, but found that even a
non-artistic individual such as myself benefited greatly. As a result of
Part I of the class, I am generally more knowledgeable in viewing art, how
my eye involuntary moves from one subject to the next, how long my attention
is captured by the center of interest, intrusion/distraction elements all
factoring into how well the shot has been composed and cropped. (All of
which I learned at class.)
But then to take
that new knowledge and try to apply it in fieldwork with Michael’s coaching
was truly rewarding; to begin really thinking about all of this new
knowledge as I attempt to compose a shot, tweaking all of the technical
aspects of the camera to achieve my objective, and wondering more and more
is the shot even worth taking; this kind of thought process is the real
reward and the permanent addition to how we look at making photographs.
My wife and I were
quite pleased with many of the pictures we ended up taking, and we are now
all the more critical of them.
You can’t improve a process if
you are not even aware of the mistakes you are making,
year by year I know the quality of our photos will improve."
Steve Cluer, beginner level
photographer.
Oceanside California
Class of 1/'04 |
|
"...Throughout we had fun. The sessions were lively. At times we were a
little resistant to the 'rules'. When we didn't 'get it' Michael was
patient and logical. It seemed to me students of all levels had fun and
learned. Was I crazy for flying across the country for a weekend
course? Very possibly. But I would do it again. I went to learn about
composition and I did. I feel grounded now in an area that was a mystery
to me. ...With practice and perseverance I may find it easier to produce
more of those WOW photos. Was it worth the trip, an unqualified YES!"
Michael Gotthelf,
Massachusetts
Advanced amateur,
Feb 26,2006
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"...Seewald's "FunShop" is a valuable investment for any aspiring amateur
photographer. As a "graduate" of his class, I find myself better equipped to
critic my own photographs (as well as others', of course!) and to better
compose them. What amazed me the most was how, in one day, I became much
more selective in what I chose to photograph.
Michael's tips on how to improve existing photographs were also invaluable. I was amazed how he was able to look at a few of my own photographs and,
with a little cropping, the photographs went from good to great.
...Michael was able to explain concepts in a straight-forward manner, with
lots of examples. When discussing composition, he pointed to his own works
to emphasize points and then further demonstrated them using the students'
own photographs. He was quite patient with the students, even when they
were frustrated.
...I also enjoyed the short tour of the photography museum. It was very
enjoyable to critique the works of art with our new "eyes." ..."
Christina Supran, beginner level photographer,
San Clemente, CA
Class of 3.29-30.'08 |
|
"...This class was was fun and informative and I found it to be very beneficial
to me as a beginning photographer. Michael made the concepts easy to
understand and his critiques on both days were both helpful and respectful.
I would highly recommend this class to others."
Tracy Nackel, beginner level photographer,
Encinitas Ca.
Class of 5/20-21/'06
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|
"...I would say/have been saying that it was a great class that taught me
just how much I didn't know. ... Michael's class helped me see what I was really doing....I loved his
style! I don't like people who are too serious. He got the info across and
joked around with us at the same time.
The class is also cool because he gives a hand out that explains exactly
what you need to do and be conscious of when making your art. There's a lot
of information on that four page handout and he even tells you to re-read it in a day,
next week, and a year from now. I put mine in my camera bag so I won't lose
it and can refer to it each time I take out my camera....
Fieldwork was taught well... I
started the class knowing about f/stops and shutter speeds, but I still
learned a lot! It was harder out in the field than I thought it would be;
his critiques helped me understand what I was doing wrong... He was always
respectful."
Jenney Howe, intermediate
level photographer,
El Cajon, California.
Class of 03/29-30/08
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"The fun-shop was a very good experience for me. I feel that it has given me
the tools to step up from a so-so, get a good shot every now and then, to
where I now know what to look for, what light can do for a shot and what can
be done with a photo after I have captured the shot. I hope that next year
to take the Carmel class."
Dave McLain,
intermediate level photographer,
El Cajon, California.
Weekend class of 10.1.06
"By the numbers", from our critique form:
name: Dave McLain
personal_attention_day1: 9
personal_attention_day2: 9
length_of_class_day1: Just right
length_of_class_day2: Just right
class_materials_day1: Well informed, read the pre-class info page
class_materials_day2: Well informed, read the pre-class info page
How_helpful_was_class: 10 - Very helpful
How_satisfied: 10 - Very satisfied
value_for_the_money: Way more value than what I paid
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"... It was interesting to note that the
pictures that stood out as exemplary (in our brief San Diego Museum of
Photographic Arts tour during the second day of class) were the ones that
followed Michael's principals.
...I
was a little nervous about attending, but you helped me build the confidence
and skills I need to become a great photographer!
Thank you, Michael. "
Mary Savoia,
'Intermediate' level photographer,
San Diego, Calif.,
Weekend class of 3.18-19.'06 |
|
"Michael,
As an amateur photographer I have been floundering around for years not
really knowing what I was doing, and occasionally coming up with an OK
photo. Thanks to you, I have received a roadmap to the process. Thank you."
Don Tynan,
San Diego, California
Weekend class of 8.20/21.'05 |
|

Photo © Michael Seewald
Click to enlarge.
Beverly Bica sets up a shot on her mini-tripod. |
"Michael,
Thanks for the great time.... I am truly a beginner at 61! However, the light
has been lit. I also learned a lot from the exceptionally nice people you
attracted from far and wide to the class- everyone was eager to help.
Even though I experienced some frustration I kept reminding myself what an
opportunity this was that I decided to take advantage of and to make the
best out of it. Then my rate of absorption took off.
I realized what
compassion you had for photography, .... To sum it up, I got to share a couple
of days with a great group of photographers and the master himself and find
energy in my own photography. I am truly inspired. "
Thanks,
West
West Flato,
San Diego, California
Weekend class of 1.21.'06
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|

Photo © John Pohlman.
Click to enlarge.
Artist Studio, Spanish Village
6.15.'06
Michael,
Thanks to
your teaching patience, and your actual-practice classes on composition
and lighting that I took from you (Class of 11/2005), I am happy to say
that three of my photos were accepted to exhibit at the Del Mar Fair this
year, and two got an Honorable Mention in their particular class.
I was excited when I found
out, but you know after a bit of thought, it isn't the awards that I am
excited about, but the fact that I am actually improving. I just might get
to be a photographer yet.
With regards,
John Pohlman
PS: The picture I took at
the Spanish Village in Balboa Park that you have on your website was one
of the photos selected (under 'student's photo page'). You encouraged me to enter it! Thanks. [Now posted above too].
|
|
"Michael's class is absolutely excellent! His method of teaching is
easy-going and infused with humor, making his class very enjoyable.
You will come away with knowledge worth much more than you paid for the
class.
If you're serious about making great photos, you need to take his class."
Loren Tilles
San Clemente, CA
Class of Jan 21 & 22, '06
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|
Click to enlarge.
Weekend class of 7.23/24.'05
in Balboa Park, San Diego |
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..."Good to
see you can pull a few more ‘gems’ out of a shoot by really spending time
with the pictures before printing. Made me look and see better for sure.
That info was worth the price of your class alone."
Scott Birchell
Morro Bay, CA
Class of
11.19-20.'05
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Some
major
class benefits were...
Opportunity to apply
compositional concepts (which we were just taught on day 1) to "real-world" photos and
then see what Michael would do to make them better;
...to see examples in
Michael's work of the concepts we were trying to master;
...meet a few fellow enthusiasts."
Dianne Arnold
Encinitas, California
Class of 8/'03
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|

Click to enlarge.
Some Carmel students pose
with Michael and
a Certificate of Achievement, June of '05. |
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"...I
gained a new, better way of evaluating the composition of an image in terms
of the impact on the viewer. Michael was able to dramatically demonstrate
the strengths and weaknesses of each image. The value of Michael's
suggestions and comments was tremendous.
The second day gave practical
light to Michael's suggestions and observations. "Doing" made Michael's
approach real.
...Michael
was born with a gift for communicating and demonstrating complex concepts in
an easy to understand manner. His patience was remarkable..."
By the numbers:
name: Robert M. Bennett
How_satisfied: 10 - Very satisfied
How_tough_was_critique: 10 - Not tough at all
personal_attention: 10 - Very satisfied
length_of_class_I: Way too short
length_of_class_II: Way too short
How_helpful_was_class: 10 - Very helpful
class_materials_part_I: Well informed
class_materials_part_II: Well informed
Robert Bennett
Vista, California
Weekend Class of 4.06.'05 |
"...Critiquing the groups pictures made the abstract principles real!"
Bryan Warren
Del Mar, California
Class of 2/'98 |
|
"Michael is fully engaged in teaching the art and technique of photography.
It is clear he derives pleasure from the "ah ha" when his students grasp a
new concept."
David
Taylor
San Diego, California.
Class of 11.25/26.'06 |
|

Click to enlarge.
Charlie Jones receiving his Certificate of
Completion.
how_tough_respectful_day_one?: "Tough
enough that I felt I was getting an honest-candid appraisal, respectful
enough that my feelings were not hurt. Constructively critical, which is
exactly what I was looking for...Your emphasis on tri-pod, histogram and
manual mode camera operation was a huge benefit for me."
How would you summarize the experience?:
"Seewald's fun-shop is a great way to learn and experience
what it takes to advance your art work to a higher level. Seewald utilizes a
formula for success; sharing his learned knowledge of fundamentals and
technical methods along with providing personal attention and feedback.
...I would like to say that I really enjoyed being
surrounded by others who share my passion/interests in photography,
Photoshop, art. I made several friends in the fun-shop and I look forward to
socializing, sharing with and learning from them."
Charlie Jones,
San Diego 92124 CA.
Intermediate photographer/class of 11.25-26.'06
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|
"...Michael
gave me practical and personal advice on how to not only see better
photographs, but also how to compose my shots so I end up with great images
with impact, not just 'good ones.'
I also learned to view photographs as the camera sees
them, not how I want them to look, or hope they turn out."
Steve Gmyr
San Marcos, California
Class of 7/'01 |
|
"My daughter Jessica and I learned to see through the lens with an artist's
eye. Michael's lighting and exposure tips at the end were extremely
helpful."
Barbara R Wiener and 15 year old daughter Jessica
Irvine, CA., beginner level photographer.
Class of 8/'03 |
|
"...Now
I know what it is about an image that makes it appealing; this class
de-mystified the 'intuitive attraction' into tangible elements. I am
certain my photographs will improve as a result."
Eric Franks
Costa Mesa, California
Class of 4/'00 |
|

Click to enlarge.
Weekend class of 5.21.2005 |
|
"I learned that I needed
to rethink my photography and my compositions. I understand a different way
of looking at a scene that will potentially make a very strong photo. Critiques of our photos were valuable as was the ability to actively discuss
the changes needed for each photo to be a better composition."
Joyce
Coker
Mission Viejo, California
Class of 8/'03
Then the
one week Monterey/Carmel class, summer of '05. |
"...Thought I would feel a little insecure about my art, but instead I feel more confident!!
Thank you."
Linda Westervelt
New York City, New York
Class of 2/'98 |
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"Michael,
I very much enjoyed the class and can’t wait to get out shooting again so I
can apply the techniques and rules I learned. On Sunday I have to say I was
feeling pretty overwhelmed (with so many new concepts to think about) and so
can’t say I’m crazy about many of the pictures I took, but here are my top
3. (See one directly below.) On the orchid photo I couldn’t decide which
crop I liked better. I recruited a few “jurors” and it was a split decision,
so I’ll let you choose.
Thanks again and I hope to take another workshop, err fun-shop, after I’ve
had some time to absorb and apply the lessons from last weekend."
Take care,
Lois Kosch,
Encinitas, Calif.,
Class of 2.25-26.'06

Click on image to enlarge.
Photo copyright Lois M. Kosch, class of 2.26.'06
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"...Nice job; great demeanor and engaging style. ...you love what you do, know it well
and enjoy teaching it...."
value_for_the_money: Quite a bit more
Ed Murphy
Solana Beach, California
Weekend class of 1.25-26.'06 |
"...Some
of the major benefits of taking today's workshop was that now I can 'focus on ideas', and
seeing better, with "new eyes"...
Carolyn Markham
San Diego, California
Class of 2/'98 |
|
Intermed.
photogs- How was day two? Too tough technically?
"Good, it was really good putting things into practice.
My college photography instructors have told me (I'm in my fourth one) that
they shoot in manual but never showed ME how and I always thought it
was going to be really hard to do, but it wasn't, with your help... Well I am a visual learner so it was really good for
me to put into practice the things we learned on day one the next day, if
not I wouldn't remember them as well or as long...."
Lara Cisar, Bonsall, Calif..
Intermediate photographer/ college student.
Class of 9.22-23.'07 |
"The best part of day one for me
was using the mats you gave us to crop with. That was a real eye opener -- to see things
differently --... and I felt very comfortable with Michael and the group as
a whole -- I liked the critiquing, what a great learning tool.
On day two you eliminated 'The histogram
mystery'...and I learned how much effort and planning that goes into making
a great photo.
...Loved the photography museum, (a short tour Michael arranges
for the San Diego class to discuss their new compositional tools and which is no
charge to them) ... I could appreciate the difference in styles, and could see
why a photo was really good or not after my new found knowledge....
...It was a pleasure to meet with Michael and the
others. Thanks, Michael, for sharing your photography expertise and your
stories. It was a real insight into the profession.
Wishing you continued success with your classes and
your photography, Diane Goodman."
Diane Goodman
Leucadia, CA
Class of 5.20-21.'06 |
|

Click to enlarge.
A much younger Seewald at The Great Wall of China, 1987.
A much younger, and skinnier, Michael takes a break from photographing as
Chinese soldiers look on. Michael sprinkles travel stories in with his
teaching explaining the 'behind the scenes' info to some of the work shown
in class and the thinking behind why some scenes work and some don't.
"Westerners instantly draw
crowds as the locals are so curios." MS |
|
Here is the 'report card' from
Sheila Brown of Chula Vista, Calif..
Note:
A lot of these critiques are where we get our testimonials, some are left in 'form mode' exactly as we received it from our website,
such as the following.
personal_attention_day1: 10 - Very
satisfied- handled all my questions
personal_attention_day2: 10 - Very satisfied- handled all my questions
length_of_class_day1: Just right
length_of_class_day2: Just right
class_materials_day1: Well informed
class_materials_day2: Well informed
How_helpful_was_class?: 10 - Very helpful
How_satisfied?: 10 - Very satisfied
value_for_your_money?: Way more value than what I paid
quote_me?: ON
Intermediate_students_Day_ONE_too_tough?: Not at all! I was able crop and
correct previous photos in my head while I listened to his "rules". Of
course there were so many I needed to 'fix' when I got home that I was too overwhelmed to do it in one
night! =)
major_benefits_day_ONE?:
The lighting and the placement
were the huge things I learned...
major_benefit_day_TWO?: Having a professional take the time to help you
understand your equipment, point out the pros and cons and have
knowledgeable suggestions about all aspects...there's nothing that can beat
that kind of attention to detail.
what_thought_of_museum_tour?:
Absolutely! I didn't care for the second
artist's work, however it was exciting to be able to critique an artist
after only 24 hours [of taking this class]!
Art is art and you can't expect to understand or
like all of it but having someone take the time to teach you the basics
and teach them correctly just gets you excited and eager to learn more.
where_will_you_be_in_2_years_from_now_because_of_this_class?: I hope to be at least in the Advanced
ballpark in 2 years. I may never be the person that sells their photography
but I hope to be appreciated within my own circle for what I can produce.
refer_friend?:
Yes, Michael J. O'Leary - xxx@xxx
any_further_pertinent_info?:
I would just like to say thank you for making
the workshop not only fun but very easy to learn. The friendliness you exude
gives a confidence to beginner/immediate such as myself to ask questions and
not be shy about the lack of knowledge we possess.
On the drive home after day
two I was seeing things a lot differently. I wanted to pull over and start
taking photos right then and there. Unfortunately, 4 batteries later, I had
to go recharge!
Sheila
Brown of Chula Vista, Calif..
Class of 3.18-19.'06 |
|
The workshop met my expectations.
Delightful. Fun. Entertaining.
This is what I wrote in an email to one of my friends:
"Last weekend I participated in a wonderful
Photography workshop (3 days) in and around Carmel. The hands-on work was
done at the the most beautiful and inspirational spots in Monterey County;
The Mission, Old Town Monterey, Point Lobos, The Barnyard, Carmel by the Sea...
What a wonderful place – where better to practice a new way of seeing and
exercise my imagination.
The days averaged 9 hours plus gallery walks that followed. ...
The workshop is done in Carmel twice a year by Michael Seewald -(www.Seewald.com)
he is funny, inspiring and entertaining as well as a master photographer -
all the techie stuff would NOT have been lost on YOU - as for me, well, time
will tell, I hope to hang on to some of the techie stuff and at least be
able to create some beautiful art, with a camera, when I go to Europe in
June. I was there for the inspiration, the brain exercise, to hang out w/
my Mom and Aunt Elise and for the creative stimulation - I was not
disappointed and am blessed, really, holy cow, how great is this life!!"
How_helpful_was_class: 10 - Very
helpful
How_satisfied: 10 - Very satisfied
value_for_the_money: About right
quote_me: ON
name:
Karla Stevens, Salinas, Ca
Carmel class of 4.'08
|
"The class was a real 'eye opener'. New ways to look at a potential
photo- knowledge of light, shadow,
composition- the importance of what you eliminate, like 'tension points', and
much, much more...
...it was great! I
really enjoyed the day."
Julie Bernardy
Spring Valley, California
Class of 3/'98 |
|
..."It
was good to be able to review the discussions while viewing Michael's photos
at the end. It solidified the morning session."
Tracey Springstead,
San Diego, California
Class of 7.'04 |
|
"This
course was extremely satisfying in that it really explained and demonstrated
to me the key difference between just taking "photo album" pictures and
taking photos that can be considered real art and appreciated by others. The
lessons learned about the proper composition and use of the proper light are
invaluable."
John Garcia,
Carlsbad, California.
Class of 10.1.'06
By the numbers:
personal_attention_day1: 10 - Very satisfied-
handled all my questions
personal_attention_day2: 10 - Very satisfied- handled all my questions
length_of_class_day1: Just right
length_of_class_day2: Just right
class_materials_day1: Well informed, read the pre-class info page
class_materials_day2: Well informed, read the pre-class info page
How_helpful_was_class: 10 - Very helpful
How_satisfied: 10 - Very satisfied
value_for_the_money: Quite a bit more
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|

Click on photo to enlarge
Ghost students with Instructor- Balboa Park.
Copyright by beginning photographer Dan Clement, class of 3.13.'05.
This is the kind of fun and exciting image you will be able to make towards the
end of class
using your manual settings (yep, your MANUAL settings)!
You will adjust your aperture and shutter speeds manually with confidence after
taking correct light-meter readings. You will compose a strong image and
set the self-timer to working to get into your own award winning photos- Whew!
Like Dan Clement stated when asked if he'd gotten his monies worth,
"Heck Michael, I OWE YOU more money!"
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|
"...I liked the fact that MS
was forthright - telling me exactly why he thought one of my pictures was not
that
good (and why) and why the others were much better and how they could still be improved much
more. He was like my best friends - who know all my fallacies, say them on
my face, and love me anyways!
...Day
Two brought home the fact that great art isn't magic
- it has a lot of hard work behind it! Even diamonds need careful polishing
before they can shine!!..There was so much to learn and so much patience was
needed. It was also physically tiring - which affected our own enthusiasm at
times.
Michael kept us going - prodding us, poking us,
encouraging us....
...The sign of a true master is that he makes the path
very simple. When the student is struggling he knows exactly when to let
them struggle (only to discover something on their own) and when to
intervene (and show them something new that they have not noticed). Michael
is a true master of the art in this sense. He knows how far to push people
to think on their own and when to provide that masterly intervention.
Overall, the fun-shop was a ton of fun. Michael's sense of humor kept the learning
"light"! He gave us all the tools in his repertoire and blessed us to begin
our own journey into this wonderful world!"
Vivek Gulati, beginner level photographer,
San Diego, California
Class of 1.6-7.'07
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"...All my life taking photos
were a way of expressing the emotion of a moment, not just documenting it.
But combining the two was technically difficult for me.
I wanted better
photos!! I wanted them to look
beautiful, and convey what my eye and heart were seeing. I didn’t know how
to achieve this. Having never been one that can learn by reading only, I
needed to find someone who had this skill, and could communicate it in a
kind, patient manner. Michael not only provided this, he added humor.
He was always present in his teaching
style, never acting board or that this was just a job.
It is so fun to learn from someone who truly enjoyed sharing his art with
you.
I truly can not
wait to take more classes with Michael! ..."
(NOTE:
Elizabeth then took our 'portrait class' and then a Yosemite
class a few months later, really putting her money
where her mouth is).
Elizabeth Palmer,
San Diego County Sheriff,
Class of 1.'09
Click image to enlarge
_______________________________________

Click photo to enlarge.
Seewald 'fun-shop' class of 7.29-30.'06
Bobby is pictured second person from the left in above pic.
Excerpts from
beginning photographer
Robert Brooks Jr. of San Diego,
California from his 7.29-30.'06 weekend class critique:
Day_one_too_tough_for_you?
...I found it very easy to follow and I was bit
nervous being so new to the art that I was really dreading showing
anyone my photos... Mr. Seewald had me comfortable from the first
minute.
How_tough_was_critique_day_one:
7 A little tough on me.
how_respectful:
.........................10 - Very respectful
day_TWO_critique_how_respectful:
10 - Very respectful
personal_attention_day1:
..............10 - Very satisfied- handled all my questions
personal_attention_day2:
..............10 - Very satisfied- handled all my questions
length_of_class_day1:
................Just right
length_of_class_day2:
................Just right
class_materials_day1:
................Well informed
class_materials_day2:
................Well informed
How_helpful_was_class:
..............10 - Very helpful
How_satisfied overall:
.................10 -Very satisfied
value_for_the_money:
.................Quite a bit more
Note: We must
admit, Bobby gave us fairly high marks here, but guess what, it's
about the average, and he was not the highest rater either! Some
very serious photographers have claimed the class to be well worth
over $750 per day!
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_______________________________________
Need more testimonies?
Click here to check out Michael's portfolio over on Photo.net
and see what Michael's
peers, whom he has never met,
have said about his art- It's posted below
the art!
I would like to personally thank the many students whose
praise
makes my work all the more enjoyable. Thanks for
taking the time
to
critique me, encourage me and to help me improve too. MS
Go to
Guest book
and request more
info/sign up for class dates announcements.
Advanced students can go to the
advanced students testimonial page.
Go back to
main photo class page.
Go to
home page.
_______________________________________
Seewald's photographic 'fun-shops'
proudly sponsored by:
Chrome Digital of San Diego
"They've printed hundreds of my enlargements over the decades, awesome company.
Great copy work
for painters too, they shoot and give you a giant file at very reasonable prices." MS
Pro
Camera Repair, San Diego.
"Taken my cameras here for decades, always top notch work.
I need my cameras
working properly in distant places,
and I trust them to keep them in tip top shape." MS
North Coast
Photographic Services
"One of the last labs around that
processes film, and they do mine now.
I've had work done
here for decades. Serious technicians here,
feel confident to get quality work done." MS
_______________________________________

Reset
12.'03
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