Home     Photographs     Photo Classes     Order/Prices      Guest book      Contact      Sponsorship Offerings    About Seewald    Misc & Links       
 

photo tips, how to make good photographs, north san diego county Seewald digital 35mm, medium and large format, photography classes, photo workshops, field photographic workshops, photo workshops, photographic workshops, photo classes, photography classes, seewald, Valerie E. Wong Gallery, Seewald's, Michael Seewald, photographia, arte, Del Mar Plaza, photographic art, limited editon art, photos, amateur, intermediate and advanced, encinitas photography teachers, carlsbad photography teachers, photographs, fine art photo, seawald, Valerie E. Wong Gallery, Del Mar, Ansel Adams, Edward Weston, Seewald's, Michael Seawald, Sewald, arte, photographia, photos, photographs, fine art photo, photo workshops, photo classes, photographic classes, photo workshops for escondido, oceanside, la costa, rancho sante fe, la jolla, san diego, la mesa, mira mesa, poway, fairbanks ranch

 


Free photo tips by Michael Seewald




 

Can one lens do it all?

Does having only one really long zoom lens, say instead of having a batch of fixed lenses, or even some smaller range zooms, make sense? I mean, can you replace your 28mm wide angle; 50mm 'normal'; 105mm 'portrait' and a 300mm telephoto, all important lenses, with something like a 28-300 'zoom'? Well, I say sometimes, depending on needs.  For my 'snapshot/cheapy' Canon Rebel XT camera (cheapy in that it's the lowest price of the 'professional cameras', those that we can change lenses with), I think it's perfect.    I think my 28-300 Tamron (non-major name brand but one with lots of quality anyways) works great.  And it is not that 'inferior' to 'brand name' zooms (Canon again, for example) with smaller ranges, such as a 28-70mm and then a 100-300mm.  In fact, the following article shows you that there is very small difference, yet you would pay two to three times more for the Canon!!!

See article here and see photos from both types (Canon vs Tamron) compared: http://www.bobatkins.com/photography/reviews/tamron_28_300_review_3.html

 

1. After finding and photographing an interesting subject ask yourself “what really moved me about this scene”?  Then ask yourself “did I really capture it and ‘it alone’?  You will most likely find much more info than is needed, thus diluting its ‘strength’. 

2.   When coming upon an interesting scene, try to see what it looks like from varying angles.   Does the light accentuate the subject better from one side or the other?   This starts the ‘making’ process, thus replacing the ‘taking’ process! 

3.   While composing your photographs look around for an interesting wall, sidewalk, street, row of  plants or whatever you can that is heading towards your subject.  This is known as a “leading line’, and if included in your composition, will lead the viewers eye into your scene.  At the same time, be careful one does not lead your eye out. 

4.   When composing your photograph, keep the ‘center of interest’ out of the center of the frame. Preferably, place it half the distance between the middle and one of the four corners.  This keeps the art from becoming static.  (See my ‘garden with umbrellas’.) 

5.   When photographing weather that includes lots of bright days, try not to take too many photographs near the middle of the day, except for those for record keeping purposes.   The softer light in the mornings and afternoons make your subject matter ‘come alive’ instead  of being  ‘blown out’ from lack of  details in the shadows and highlights. 

6.   Bring a tripod with you to get even more interesting photos.   You can take photos of places where the average photographer has given up due to lack of light.  With a tripod, you can easily shoot up to an hour before or after other photographers do, and get much more dramatic effects. 

7.   Don’t be too afraid to get in too close to your subject.  Photographers whom get in, seemingly too close, end up making the award winning images.   Try a few where you actually say to yourself- ‘I think I’m too close in’.    You will now make some very interesting photos. 

8.   Don’t be afraid to try something new.   Dare to be different.   Get on your belly to shoot flowers.   Get on the floor and shoot up at the kids.   A bugs eye view can create some very interesting images.   You should not be surprised to make some award winners this way. 

9.   Keep an eye out for patterns.  They can make ‘artsy’ and interesting photos.  But to make them even better, include something of interest that breaks up the pattern.    At an outdoor market, for example, a collection of red apples with a single green one thrown in does the trick.  Make sure it's not dead center though- see tip #4.

10.   To capture people in places you might feel awkward about, try using a wide angle lens, if you have one.   Just pre-focus to 5 feet and then take photos without lifting the camera to you face to compose.   Just point it from your hip, and shoot.   You get un-even horizons but fun, paparazzi style images. 

11.   When composing, try to remember not to split the horizon line right in the middle.   Either place it one third from the top or one third from the bottom.  Remember to keep the center of interest on one of these two planes also, left or right of center. 

12.    For balance purposes, and to help define the forms or elements in your photographs, just close your eyes a little and view the scene while squinting.   The elements you now see won’t include the entire minutia, giving you a better chance to balance the ‘big objects’, which are now much easier to define and place properly. 


Click on image to enlarge.  Photo copyright Michael Seewald, all rights reserved.

Old Massai Warrior, Kenya, Africa, 2002
Sponsored by Stan Webb of Wichita, Kansas

Seewald's photographic 'fun-shops'
proudly sponsored by:


Chrome Digital of San Diego

"They've printed hundreds of my enlargements over the decades, awesome company. Great copy work
for painters too, they shoot and give you a giant file at very reasonable prices."
MS


Pro Camera Repair, San Diego.
"Taken my cameras here for decades, always top notch work. I need my cameras
working properly in distant places, and I trust them to keep them in tip top shape."
MS

North Coast Photographic Services
"One of the last labs around that processes film, and they do mine now. I've had work done
here for decades. Serious technicians here, feel confident to get quality work done."  MS

 

 

 

Hit Counter

reset 10.'08

Michael Seewald Galleries
Del Mar Plaza 1555 Camino Del Mar, Ste. 106, Del Mar, California, 92014 USA 
Phone: 858.793.3444 
Open Wed. thru Sun., 11 a.m. till 6 p.m.


© 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011  Seewald's Inc.  All rights reserved.
Copyright Warning

No form of reproduction or manipulation, including copying or saving a digital file is permitted.
Any unauthorized usage of these images will be prosecuted to the full extent of the U.S. Copyright Law.
  

ALL
of the images on this site
are copyrighted, and are not royalty free.
These photographs are available as 'stock images' and can be licensed for a negotiated fee.

Use of these images is not free, and is protected by domestic and international copyright law. 

If you wish to license any of Michael's Seewald's photographs seen on this site, please fill out this form.